One afternoon in the workshop
In the early 1970s, Ernesto Abraham ran an industrial metal-finishing factory in Mexico City: precision parts for printing presses, pens and machinery.
It was heavy-industry technology. It was used in aerospace manufacturing, in the graphic arts and in precision industrial production. It was not used to make art.
One afternoon his wife, Sima, walked in. She watched the machines finishing metal forms and asked whether the same process could take any shape at all.
Ernesto said yes.







