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D'Argenta

Silver Statues

Since 1976 our Mexico City workshop has finished sculptures by hand in silver. This collection brings them together: Salvador Dalí and Frida Kahlo, wildlife on branches and waves, icons of ancient Mexico and pieces made for the table.

Pieces from $3,000 to $513,540 MXN

Mirror-bright or deeply worked

These silver sculptures move between two extremes. The Silver Frog Statue Cueyatl is mirror-bright and entirely smooth, a single rounded form that takes on the colours of the room. The Silver Olmeca Head Statue works the same way, its broad features drawn by light rather than line, and the flat, stylized fish by Pedro Ramírez Vázquez adds a row of slits that read like ribs.

At the other end are the worked surfaces. The Silver Indian Elephant Statue wears a gold ceremonial saddle cloth over finely wrinkled skin, and the Silver Leopard Statue Calm on Branch carries its coat as an open pattern of cut-out spots, so that light passes through the animal itself. The giraffe mother, head lowered, shares that openwork coat.

Animals on branches, rock and sea

Many of the silver statues here stand on bases that set a scene. The leopard rests on a dark, wood-like branch; the Silver Running Wild Horses Statue gallops across a black base. A humpback whale swims with her calf over green sea waves, and a bald eagle dives toward the same green water, talons out. Together they form a small natural history in a single metal.

This is where a silver horse statue or a silver eagle statue earns its place on a sideboard: the base gives it a horizon and the silver gives it light. The same subjects continue in our Animal statues and Figurines collections, and in warmer tones on the Gold statues and Copper statues pages.

Dalí, Frida and the story of Mexico

Salvador Dalí painted The Persistence of Memory, with its melting clocks, in 1931, and The Temptation of St. Anthony in 1946. In The Temptation of St. Anthony Statue by Salvador Dali, an elephant walks on impossibly long, thin legs carrying an obelisk; the melting clock drapes over its support, dark face and gold hands. Me and My Parrots, Frida - Low Relief sets a silver portrait into a dark stone slab.

Ancient Mexico runs through the rest. The Olmec of the Gulf coast, among the earliest Mesoamerican civilizations, carved the colossal heads; the Atlas of Tula is a tall Toltec warrior column, and the Aztec calendar becomes a silver disc on dark stone. The Silver Virgin of Guadalupe shows her green mantle within 24-karat gold solar rays, the image venerated at the Basilica of Tepeyac. Fruit bowls, candle holders and a Chanukah menorah carry the same silver into daily life.

Frequently asked questions

Which silver pieces hold a room on their own?

The pieces with scenic bases, such as the running horses and the diving eagle, and the Indian elephant are made to be seen from every side, on a console or a low table. The smooth pieces, like the Cueyatl frog and the Olmec head, are at their best on a desk or a shelf at eye level.

Are the Dalí and Frida Kahlo pieces authorised?

Yes. Our Salvador Dalí pieces are made under a licence approved by the Fundació Gala-Salvador Dalí, and our Frida Kahlo pieces are made working with Frida Kahlo's family. Like everything here, they are designed and finished by hand in Mexico City.

How does a silver finish keep its shine?

A resistant lacquer protects every piece, so a soft, dry cloth is all it needs; metal polish and cleaning agents are best avoided. Each sculpture carries our lifetime guarantee covering manufacturing defects, and we ship throughout Mexico from Mexico City.